His choice of colors and lines of movement in the fabric, her hair; the water with a bold sun setting behind. In her gesture that hint of movement all come together for a beautiful and subtle and yet strong image.
Author: asianartmuseum
Merrill Randol Sherwin – Imperial court overvest
Not only is this vest the ultimate of Dynastic Chinese workmanship with its exquisitely fine stitches, it is a tribute to a mother by her emperor son who is conferring blessings on his mother by the vests’ many auspicious symbols.
Lenore Chinn – Pillow in the form of a reclining girl
This representation of a girl on a Jin dynasty pillow stands out both for its exquisite crafting and rarity. It is unusual to see a girl or woman so beautifully sculpted in the ceramic arts in this way and is a timeless piece in the Asian Art Museum’s collection, ancient but with a contemporary look.
Cathy Moreland – Page of calligraphy
The beauty of the line, direction, and edges of the calligraphy as design is very restful, and active, to me. It’s a prominent element in Islamic art; functional and decorative.
Brenda Barnhart – The bodhisattva Maitreya
He looks like Meher Baba, my spiritual teacher.
Jean Kafer – Ritual vessel in the shape of a rhinoceros
The shape is wonderful. He has such a positive feeling about him.
Joyce Shon – The Buddhist deity Simhavaktra Dakini
She spoke to me the very first time I saw her, and we continue to have lively dialog at each meeting.
Richard Brown – Guardian, one of a pair
It appears balanced with strength as it protects and stands guard, ready to fly or charge into action, widgets Hovind feet trampling the ground beneath its trespassers.
Peggy Lee – Which is Earth? No. 7
I love that this is inspired by the Apollo mission and that it’s both ornate and minimalist at the same time.
Penelope Clark – covered box, Soughtern Song dynasty
I have always loved its graceful carved lacquer smooth dragons and clouds. I wish it were on display.